Archive : Vauxhall sales slow as BL gears up

Carole Nash Classic Insurance Specialists

Vauxhall sales slow as BL gears up
By Derek Harris. Commercial Editor

Vauxhall’s storming progress in the British car market, particularlv with sales of its Cavalier, was checked in March as BL’s market share surged and that of Ford improved. The change in fortunes appears largely to reflect the pattern of special promotions adopted by manufacturers including increases in dealer incentives. An intense period of promotion by Vauxhall eased at the beginning of March and by the end of the month General Motors’ market share, including the sales of its Opel range from West Germany. dropped from the 23 per cent of February to 15.64 per cent. according to the Society of Motor Manufacturers and Traders.

But with BL still heavily promoting its range, its market share rose from 16 per cent in February to nearly 21 per cent in March. Its Austin/MG Metro was the top selling car last month and the Maestro was at number six compared with eighth position in February.  The BL challenge will grow later this month when it launches its LM11 model expected to be called the Montego , which will compete with the Cavalier and Ford’s Sierra.

Keith Adams

Keith Adams

Editor and creator AROnline at AROnline
Created in 2001 and built it up to become the world's foremost reference source for all things BMC, Leyland and Rover Group, before renaming it AROnline in 2007.

Is the Editor of the Parkers website and price guide, formerly editor of Classic Car Weekly, and launch editor/creator of Modern Classics magazine. Has contributed to various motoring titles including Octane, Practical Classics, Evo, Honest John, CAR magazine, Autocar, Pistonheads, Diesel Car, Practical Performance Car, Performance French Car, Car Mechanics, Jaguar World Monthly, MG Enthusiast, Modern MINI, Practical Classics, Fifth Gear Website, Radio 4, and the the Motoring Independent...

Likes 'conditionally challenged' motors and taking them on unfeasible adventures all across Europe.
Keith Adams

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